Conduct a web search to locate a video of a modern speech. evaluate the speaker's purpose and the speaker's delivery. consider how the delivery does, or does not, enhance the speaker's purpose. also, consider any evidence the speaker uses to make a point. is it accurate? does it effectively support, or does it distract? write a paragraph or two below and make sure to include a link to the speech you evaluated.

Explanation:

Studying other speakers is a critical skill, one of the 25 essential skills for a public speaker. The ability to analyze a speech will accelerate the growth of any speaker.

The Speech Analysis Series is a series of articles examining different aspects of presentation analysis. You will learn how to study a speech and how to deliver an effective speech evaluation. Later articles will examine Toastmasters evaluation contests and speech evaluation forms and resources

The answer is

Studying other speakers is a very good skill, one of the 25 essential skills for an outspoken public speaker. The ability to analyze a speech will increase the growth of any speaker. The Speech Analysis Series is a series of articles examining different aspects of presentation analysis. You will learn how to study a speech and how to deliver an effective speech to the ones who have trouble. Later articles will examine Toastmasters evaluation contests and speech evaluation forms and resources to the nation.

Explanation:

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i dont understand the question much but the kind my family always gets is the pillsbury's kind

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i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.