Construct all twelve major scales, in both treble and bass clefs, on manuscript paper using the formula WWHWWWH. Use any note (or a whole note) to construct your scale. Make sure that you include all of the symbols, such as sharps, flats, treble clef, and bass clef signs. Pay close
attention to detail when constructing symbols and placing your sharps and flats to the left of the corresponding note. Identify your scales with
capital letters symbolizing the major scales. Write the'names of the notes below the corresponding notes.

Look at this painting by cimabue. this painting demonstrates the use of

How does the character of the fourth movement compare with the first three? consider such factors as tempo, texture, rhythmic character, and melodic themes. how does the piano concerto compare with johann sebastian bach's brandenburg concerto no. 5 in d major, bwv 1050? what similarities and contrasts do you see between these two works of the same genre? the following questions will you compare them. what instrument is featured as soloist in bach’s brandenburg concerto no. 5? how did the role of the keyboard instrument change from the time of bach to brahms? (hint: was the soloist in bach’s brandenburg concerto usual or unusual? ) where is the cadenza in the opening movement of bach’s brandenburg concerto no. 5? where is the cadenza in the opening movement of brahms’ piano concerto no. 2? which composer’s work featured a larger orchestra? how does this reflect the style period? how is this piece representative of romantic style? consider the instrumentation and orchestra size, scope of the overall work, and elements of character including tempo, texture, and themes. you may want to listen to excerpts from some of the prior movements. click on the play buttons below to listen to movements one, two, and three. you can listen to them in their entirety, or if you prefer, you can just listen to sections to refresh your memory of what these movements sound like.

What are you doing this summer? fr !