Can someone help I need help summarizing this critique. It has to be at lest one page long. plzz help me!!

P. N. FURBANK The good things about Elizabeth Jennings are as good as ever in [Recoveries), and the limitations just the same. When a poem of hers comes off, she manages to cancel the impression made by those fluent, limp, iambic lines by some line (often a last one) which, equally fluent and rhythmically unexciting, concentrates the whole meaning of the poem, hits the bull's-eye in fact. The measured stillness sometimes comes out just as dullness, but much more often it is rescued in this way Her best and natural state is contemplation, and the poems tend to be about the debits and credits of the contemplative attitude By a fine and conscious stroke of art Elizabeth Jennings places in the middle of her own grey and cloistral verses a translation from Camus, ecstatically hymning an Algerian morning, which has, in that context, the effect of blazing sun through cloister arcades. P. N. Furbank, "Books: 'Recoveries'," in The Listener (© British Broadcasting Corp. 1964; re1926-printed by permission of P. N. Furbank), Vol. LXXII, No. 1843, July 23, 1964, p. 137.

What is a career pathway for human services?

Which sentence contains a participial phrase that is placed correctly? -jose paid for a hamburger scanning the cafeteria for an empty seat -peeling off her winter jacket, sierra settled into the cozy armchair. -made of soft wool, nadia pulled on a blue sweater -the cowboy jumped from the horse laughing in the face of danger

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects