Read the following excerpts: ozymandias by percy bysshe shelley (excerpt) the hand that mocked them and the heart that fed; and on the pedestal these words appear: "my name is ozymandias, king of kings: look on my works, ye mighty, and despair! " nothing beside remains. round the decay of that colossal wreck, boundless and bare the lone and level sands stretch far away. ode on a grecian urn by john keats (excerpt) when old age shall this generation waste, thou shalt remain, in midst of other woe than ours, a friend to man, to whom thou sayst, "beauty is truth, truth beauty,"–that is all ye know on earth, and all ye need to know. which of these subjects do both excerpts address? a war, b power, c time, d love

What response does lincoln hope to elicit from his listeners with these words from his gettysburg address "we gave to come dedicate a portion of that field, as a final resting place for those who here gave their lives, that that nation might live. it is altogether fitting and proper that we should do this

Sister carrie, chapter ii theodore dreiser how does the author prepare readers for the last full paragraph of this passage? a) the author introduces carrie by showing readers the similarities between carrie and her sister, who is married to a hardworking man. b) the author introduces carrie as the jealous sibling of minnie, who works hard to make carrie feel welcome without upsetting her own marital balance. c) the author introduces carrie as an observant and young woman who notices the routine of her sister and brother-in-law, with whom she is staying. d) the author introduces carrie as a rather selfish and naive young woman who accepts the hospitality of her sister and brother-in-law until she can find a job in the city.

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.