Does proko advises artists to use one-point perspective to make part of the composition pop forward, and two-point perspective to draw the viewer's eye deeper into the scene?

One Point Perspective is a kind of straight viewpoint that uses a solitary disappearing point to make the fantasy of profundity in a show-stopper.

Explanation:

There are a few strategies for direct viewpoint, however one-point is a solitary point of view and is the most straightforward. One point viewpoint expect the level, confronting planes of articles have no profundity yet the sides and edges driving endlessly from the watcher have profundity.

The craftsman needs just choose the vertical and flat estimations of each structure and associate them to a solitary evaporating point.