How does viewing byzantine representational art as icons/windows change the interpretations we give them? does that adequately account for the change in style to more simplified and non-natural forms? or do you think that there was a loss in artistic skill after the fall of the roman empire? is the byzantine understanding of icon in understanding our obsession with art in museums, where we place singular objects against a blank white wall within temple like complexes to be revered and honored?
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How does viewing byzantine representational art as icons/windows change the interpretations we give...
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