How did caravaggio's paintings depart from renaissance traditions to reflect the italian baroque
style?

a. the paintings exaggerate human proportion in order to enhance the religious message.
b. the paintings depict figures within settings that demonstrate the use of atmospheric
perspective.
c. the paintings focus on naturalism and create drama through an intense use of light and
dark
d. the paintings depict figures with idealized beauty and proportion.

In "poem," rukeyser writes in a form of poetry called and uses ordinary, everyday language.

Match these items. match the items in the left column to the items in the right column. 1. aesthetics in art, a technique for defining shape, also used to create a sense of depth 2. composition a perceived line that describes three-dimensional form 3. contour line a method of presenting an illusion of the three-dimensional world on a two-dimensional surface 4. line (pronounced "uhvrr") — a work of art; the sum of the lifework of an artist, writer, or composer 5. oeuvre the way an artist organizes forms (lines, shapes, etc.) in an artwork, either by placing shapes on a flat surface or by arranging forms in space 6. patron the relationship of one part of a person, building, or object to another; for example the size of a statue's head in relationship to the rest of the body 7. personification the study of beauty or good taste; anything related to the study of beauty or good taste 8. perspective giving human characteristics to something that is not human 9. proportion generally a wealthy person who pays an artist to create a work of art; throughout much of history artists could not have survived without "patronage" 10. symbol an object or word or gesture that represents something else

Which baroque artist from a protestant country did not produce work for the catholic church? a. michelangelo b. rembrandt van rijn c. peter paul rubens