Chapter 4 discusses a variety of 19th-century musical types that are the forerunners of film music. Describe three of these, including their basic qualities, important composers, and similarities to film music.

See explanations

Explanation:

1. to intensify or relax the pace of a film

2. to reflect emotion

3. to create "unspoken" thoughts of a character or unseen implications of a situation

4. to parallel or underscore the action (Mickey mouse the action)

5. to create atmosphere of time and place

6. to create comedy

7. to provide unity or coherence to the story (use of leitmotif)

8. to be used as source music (diegetic music)

9. when music plays against the action

10. to speed up slow scenes or slow down scenes that are too fast

11. to be used as a neutral background filler (wall to wall music