Both modernism and postmodernism conceive of interpretation as inherent to its object: without it we do not have access to the work of art. The break between modernism and postmodernism is thus to be located within this inherent relationship between the text and its commentary … If the pleasure of the modernist interpretation consists in the effect of recognition which 'gentrified' the disquieting uncanniness of its object ('Aha, now I see the point of this apparent mess!'), the aim of the postmodernist treatment is to estrange its very initial homeliness

Both modernism and postmodernism conceive of interpretation as inherent to its object is given below

Explanation:

1Postmodernism. A general and wide-ranging term which is applied to literature, art, philosophy, architecture, fiction, and cultural and literary criticism, among others. Postmodernism is largely a reaction to the assumed certainty of scientific, or objective, efforts to explain reality.

Many postmodernists hold one or more of the following views: (1) there is no objective reality; (2) there is no scientific or historical truth (objective truth); (3) science and technology (and even reason and logic) are not vehicles of human progress but suspect instruments of established power; (4) reason and logic

2.One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery. ... Postmodern art is noted for the way in which it blurs the distinctions between what is perceived as fine or high art and what is generally seen as low or kCommon targets of postmodernism and critical theory include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress.itsch art.

3.The fundamental difference between modernism and postmodernism is that modernist thinking is about the search of an abstract truth of life while postmodernist thinkers believe that there is no universal truth, abstract or otherwise.Common targets of postmodernism and critical theory include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress.

4.In art, the term is usually applied to movements that emerged beginning in the late 1950s in reaction to the perceived failures and/or excesses of the modernist epoch.Its main characteristics include anti-authoritarianism, or refusal to recognize the authority of any single style or definition of what art should be; and the collapsing of the distinction between high culture and mass or popular culture, and between art and everyday life.

5.In literature, the elements of modernism are thematic, formal and stylistic.

Worldwide Destruction. During the First World War, the world witnessed the chaos and destruction of which modern man was capable. ...

Cultural Fragmentation. ...

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Loss and Exile. ...

Narrative Authority. ...

Social Evils.

the answer is b. false. a fugue is a traditional form of a composition in where a part would enter after the other and uses the same theme. the music would then grow constantly in size as well as in intensity.