Which statement best expresses the theme of this passage?
A) Women are often put into the position of being more rational than men in certain situations.
B) Societal expectations can feel constricting to some people who want to be free and independent.
C) The economic inequality present in nineteenth-century American society is surely leading to a financial meltdown.
D) Parents of young couples are often frustratingly supportive of young couples trying to make their way in the world.

Photojournalism adds emphasis and power. if some one told you that a bomb blew up the world trade center, you wouldn’t have believed them until you saw it on the tv or in the newspaper.

Ireally don't know the answer

Answer(simplify painting);

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.