1. What is the difference between the music from 0:03-0:10 and 1:45-1:52? 2. If the repeat of the first theme starts at 1:53, and the repeat of the second theme starts at 2:37, what theme is Mozart developing from 3:37 - 4:00? 3. What part of the piece (Exposition, Development, Recapitulation) do you hear at 4:06?

Which of these pieces best illustrates the use of variety over unity? leonardo da vinci, study of human proportion: the vitruvian man laylah ali's untitled louise lawler's pollock and tureen auguste rodin's the three shades?

Spencer's blog claims that national parks are the best vacation destinations. which evidence is best for developing his claim? a personal account from a park visitor who describes positive adventures at grand canyon and yellowstone parks an interview with a travel agent who advertises cruises, eco-tours, and whitewater rafting trips a chart that compares the number of national parks in the eastern united states to that in the western states a study that proves adults who take yearly vacations have lower blood pressure than those who do not

How does the character of the fourth movement compare with the first three? consider such factors as tempo, texture, rhythmic character, and melodic themes. how does the piano concerto compare with johann sebastian bach's brandenburg concerto no. 5 in d major, bwv 1050? what similarities and contrasts do you see between these two works of the same genre? the following questions will you compare them. what instrument is featured as soloist in bach’s brandenburg concerto no. 5? how did the role of the keyboard instrument change from the time of bach to brahms? (hint: was the soloist in bach’s brandenburg concerto usual or unusual? ) where is the cadenza in the opening movement of bach’s brandenburg concerto no. 5? where is the cadenza in the opening movement of brahms’ piano concerto no. 2? which composer’s work featured a larger orchestra? how does this reflect the style period? how is this piece representative of romantic style? consider the instrumentation and orchestra size, scope of the overall work, and elements of character including tempo, texture, and themes. you may want to listen to excerpts from some of the prior movements. click on the play buttons below to listen to movements one, two, and three. you can listen to them in their entirety, or if you prefer, you can just listen to sections to refresh your memory of what these movements sound like.