In the writings of _ can be found the earliest record of the uses of camera obscura

In the writings of _ can be found the earliest record of the uses of camera obscura

The earliest known written record of the camera obscura is found in the Chinese text called Mozi, dated to the 4th century BCE, traditionally ascribed to and named for Mozi (circa 470 BCE-circa 391 BCE), a Han Chinese philosopher and the founder of Mohist School of Logic.

put in the 2 images that way we can see it

explain: well re read it 5 times that way if it makes since then its your answer if it doesn't then its not right

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.