Discuss the dynamics of music-making in courtly life in the southern region of France in the eleventh- and twelfth-centuries, including a discussion of fin d’amors. Include a discussion of either Bernart de Ventadorn and Can vei la lauzeta mover, or Raimbaut de Vaqueiras. How are these artists and their works characteristic of a more traditional historical narrative of the life and motivations of a troubadour?