To determine when the rhythm when 8th and 16th notes are mixed, cover up either the first two or last two 16th notes of the example above (both examples are below). Keep in mind, the number is whatever beat you are on ("1", "2", etc.). le & 1 & a Using the examples above, write the rhythm for each measure. Watch the time signature! Measure 1 Measure 2 Measure 3 Measure 4

you didnt add any sort of groups or any options, you can edit it and then people can try to answer now its kinda hard.

hope this gives you a heads up why you arent answered. : d

have a great rest of your day!

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.