Hey, call me back when ya get this Or when you've got a minute We really need to talk Wait, you know what? Maybe just forget it 'Cause by the time you get this Your number might be blocked Stay and blah, blah, blah You just want what you can't have No way, I'll call the cops If you don't stop, I'll call your dad And I hate to do this to you on your birthday Happy birthday, by the way It's not you, it's me and all that other b u l l s h i t You know that's b u l l s h i t, don't you, babe? I'm not your party favor Look, now I know we coulda done it better But we can't change the weather When the weather's come and gone Books don't make sense if you read 'em backwards You'll single out the wrong words Like you mishear all my songs You'll hear stay and blah, blah, blah You just want what you can't have No way, I'll call the cops If you don't stop, I'll call your dad And I hate to do this to you on your birthday Happy birthday, by the way It's not you, it's me and all that other b u l l s h i t You know that's b u l l s h i t, don't you, babe? I'm not your party favor WILL ADD BRAINLIEST FOR NO REASON AT ALL LOL

How does the character of the fourth movement compare with the first three? consider such factors as tempo, texture, rhythmic character, and melodic themes. how does the piano concerto compare with johann sebastian bach's brandenburg concerto no. 5 in d major, bwv 1050? what similarities and contrasts do you see between these two works of the same genre? the following questions will you compare them. what instrument is featured as soloist in bach’s brandenburg concerto no. 5? how did the role of the keyboard instrument change from the time of bach to brahms? (hint: was the soloist in bach’s brandenburg concerto usual or unusual? ) where is the cadenza in the opening movement of bach’s brandenburg concerto no. 5? where is the cadenza in the opening movement of brahms’ piano concerto no. 2? which composer’s work featured a larger orchestra? how does this reflect the style period? how is this piece representative of romantic style? consider the instrumentation and orchestra size, scope of the overall work, and elements of character including tempo, texture, and themes. you may want to listen to excerpts from some of the prior movements. click on the play buttons below to listen to movements one, two, and three. you can listen to them in their entirety, or if you prefer, you can just listen to sections to refresh your memory of what these movements sound like.