Based on the Article, which best replaces the question mark in the diagram above? There is a large rectangle with a question mark in it. Above the rectangle, it says "Main Idea of the Article." Under the rectangle, there are three smaller boxes with arrows pointing up to the rectangle. Each small box includes a detail from the Article. The first box on the left says "Street art is shown today in cities and festivals all over the world." The box in the middle says "Early street artists like Keith Haring and Jean Michel Basquiat were thought of as outlaws." The box on the right says "U2 front man Bono began a street art campaign to help fight serious illnesses around the world."
Press enter to interact with the item, and press tab button or down arrow until reaching the Submit button once the item is selectedAKeith Haring and Jean-Michel Basquiat used to make street art, but their work is now in museums.
BStreet art, which makes social and political statements, is now celebrated all over the world, a big change from its earlier days.
CStreet art is shown in many places all over the world, like at the NuArt Festival in Stavanger, Norway.
DIn New York City, street artists painted garbage trucks to encourage people to recycle and take care of the environment.

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Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.

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