I have no clue how to write this. I'm an actress not the playwrite! I'm so confsed WRITE A COMMEDIA SCENARIO OF YOUR OWN

•Amorosa and Amoroso are in love and everyday (WHAT HAPPENS EVERYDAY? EXPOSITION, DESCRIBE SITUATION HERE)

•Until one day they ask to get married and Pantalone and/or Il Dottore will not allow them to marry because… (WHY WON’T THE PARENTS ALLOW THEM TO MARRY?)

•Columbina & Arlechino get together and decide they have to do something to fix the situation because … (WHAQT SCHEME DO THEY THINK OF TO FIX THINGS?)

•So they plan … (SOMETHING SILLY)

•The plan gets mixed up and this happens instead… (SOMETHING CRAZY SILLY GOES WRONG, IT’S A MIX UP, WHAT?)

•And because of that this happens (SOMETHING AWFUL, WHAT HAPPENS IN REACTION TO THE MIX UP?)

•Until finally, this happens… (WHAT HAPPENS TO FINALLY FIX THINGS?)
•And after that day, this happens… (HOW IS EVERYTHING HAPPY?)

•And then happy ever after… (WHAT DOES HAPPY LIFE LOOK LIKE?)

They meet up in secret. Their great-great grandparents fought in opposite sides of the war. They will run away and leave notes saying they will only return when they will be allowed to marry. But then as they write the notes, Arlechino misplaces a comma. His mother knows this must be serious because he never does so. So she sets out to find him. As she is walking down the road she gets hit by a car. She then has to go to the hospital. Luckily, she only has a broken rib. After she got hit, though, she passed out and met an angel who told her to let them marry, so she does. They all live happily ever after. THE END.

Explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.