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Discuss the dynamics of music-making in courtly life in the southern region of france in the eleventh- and twelfth-centuries, including a discussion of fin d’amors. include a discussion of either bernart de ventadorn and can vei la lauzeta mover, or raimbaut de vaqueiras. how are these artists and their works characteristic of a more traditional historical narrative of the life and motivations of a troubadour?