ASAP ANSWER PLEASE ASAP Describe the photography exhibit that you saw. About how many photographers were there? What was the subject of the exhibit or photographs?
Describe the display of the exhibit. How were the photographs framed? Do you think the display of the photograph (s) could have been improved? If so, what would you have done to improve it? If not, what did they do right? What did you like about the display (location, framing, height, placement, etc.)?
Why is display important? What effects could the display have on a photograph or our enjoyment of a photograph?
Why do photographers or other artists exhibit their work?
How can collections of art help record changes in art or culture?
Why do people buy and own pieces of art, such as photographs?

C. she wanted to answer sexist rumors about her paintings.

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.