In "The Cricket," Josquin des Prez uses changes in rhythm, texture, and text-setting to illustrate different concepts suggested by the poem. Reread the B section of the song, which features less word-painting than the A section. What words or ideas in the B section could Josquin also have chosen to paint musically? Why do you think Josquin chose not to? How might you illustrate them if you were the composer?