There are types of minor scales. a. three b. four c. five d. six

A. Three

Explanation:

The 3 types of minor scales are the following:

Natural minor scale.Harmonic minor scale: The 7th is raised by a half-step. Melodic minor scale: Both the 6th and 7th are raised by a half-step when ascending, then go back to natural when descending.

Natural minor scales are actually formed starting on the 6th degree of a major scale, we call this a "relative scale". For example, let's say we have the C Major scale:

C - D - E - F - G - A - B - C

We can obtain a minor scale by starting on the 6th, which is "A" in this case:

A - B - C - D - E - F - G - A

Of course, we can turn it around and obtain a major scale starting on the 3rd degree of a natural minor scale, let's look at another example, this time with the C natural minor scale

C - D - Eb - F - G - Ab - Bb - C

Now, if we start from the 3rd degree, we obtain its relative major scale, which is Eb Major in this case:

Eb - F - G - Ab - Bb - C - D - Eb

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.

Ithink it is number one but i’m not 100% positive