One advantage of automatic stabilizers over discretionary fiscal policy is that automatic stabilizers rev: 06_13_2018 Multiple Choice make the actual budget a better reflection of the condition of the economy than the standardized budget. do not produce a cyclical deficit as discretionary fiscal policy does. are not subject to the timing problems of discretionary fiscal policy. have a greater multiplier effect than discretionary fiscal policy.

Automatic stabilizers are financial strategy intended to counterbalance the variances in the national economy with no mediation by the administration. In the event of optional arrangement, the administration initially understands that there is an issue and afterwards makes a move to balance the variance. This makes a hole in the planning of when the issue really emerges and when the strategy move is made. The automatic stabilizers don't confront this issue as they do not need government mediation. Along these lines the right choice is  

C) are not subject to the timing problem of discretionary fiscal policy.

C) Are not subject to the timing problem of discretionary fiscal policy

Explanation:

among other factors, composers started writing dynamic markings in their scores because "new instruments allowed for more dynamic ranges and contrast."

dynamics allude to the loudness or softness of music. dynamics offer an approach to demonstrate articulation in sheet music. they to drive the enthusiastic substance of music through volume and force. maybe you could alter both the volume and the shading profundity on your screen at the same time. we can likewise think about the force side of elements as the quality of a note. a few notes are intended to be played delicately and gently, while others are intended to be played all the more firmly.  

some dynamics markings have a letter 'm,' which remains for mezzo, signifying 'medium.' so a mezzo piano unique stamping resembles this (mp) and intends to play medium calm, while a mezzo specialty dynamic resembles this (mf) and intends to play medium loud.