Read the excerpt below and answer the question. every skull he picks up is an illustrious skull. this one was leonardo. he invented the flying man, but the flying man has not exactly served his inventor’s purposes. we know that, mounted on his great swan (il grande uccello sopra del dosso del suo magnio cecero he has other tasks in our day than fetching snow from the mountain peaks during the hot season to scatter it on the streets of towns. (first letter, “the crisis of the mind,” p. 5) what is valery’s point about hamlet picking up leonardo’s skull? leonardo wanted to investigate the properties of snow. leonardo invented a flying swan. leonardo did not intend for his inventions to do harm. leonardo invented wings for flying.

Explanation:

Option A is likewise erroneous in light of the fact that Leonardo had a lot more noteworthy designs for his innovations that just to examine the properties of snow. C ai the right answer since he needed to propel science, instead of make a terrible development.

innocence can be defined as the lack of sin, relating it with the lack of guilt, also it can be a synonime of naivety. most people agree that sins are made out of experiences, intentionally or not, as well as you stop being naive once certain things happen to you throughout your life. so, with this explained, the chosen answers are:

when the boy saw the effects of war, he no longer viewed life as innocent.

the loss of innocence is a result of gaining experience and making mistakes.

one way to define innocence is as a lack of worldly experience or sophistication.

one thousand and one nights, also known as arabian nights is a collection of stories whose basic structure is that of embedded narrative. this technique refers to a main story which works as the common frame - or framing narrative - for the other stories, and then this series of stories which are connected to the main one. this technique can also be referred to as a story within a story. the stories stem from the original tale, some begin and end on their own, some are connected to the previous or following one, by means of questions that are answered in the subsequent tale, or characters which reappear.