Put the statements in the order that they happened in the story. question 6 options: lizabeth, joey, and their friends were bored on a hot summer day and they decided to go to miss lottie’s house. lizabeth realized she had destroyed something beautiful that belonged to someone else, and felt awkward and ashamed. lizabeth and joey sneaked out of the house and went to miss lottie’s house. in a fit of rage, lizabeth pulled up and trampled on all of miss lottie’s marigolds. lizabeth finished and found miss lottie standing over her. the children threw pebbles at miss lottie, her flowers, and her son, john burke. then the children ran at her calling her a witch.

The events listed happened in this order:  Lizabeth, Joey, and their friends were bored on a hot summer day and they decided to go to Miss Lottie’s house.The children threw pebbles at Miss Lottie, her flowers, and her son, John Burke. Then the children ran at her calling her a witch.

Lizabeth and Joey sneaked out of the house and went to Miss Lottie’s house. In a fit of rage, Lizabeth pulled up and trampled on all of Miss Lottie’s marigolds. Lizabeth finished and found Miss Lottie standing over her. Lizabeth realized she had destroyed something beautiful that belonged to someone else, and felt awkward and ashamed.

the patriots are

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran