How does mathilde’s attitude about life differ from her husband's? which of the following quotations from the text best support the answer to part a? which sentence best illustrates a theme in the using examples from the text? explain the irony at the end of the story. how does mathilde’s attitude change after she vows to replace madame forestier’s necklace? which of the following quotations best reflects mathilde’s attitude change?

Mathilde always wanted more out of life. She was never happy in her own circumstances and wished for more. "She suffered ceaselessly, feeling herself born for all the delicacies and all the luxuries. She suffered from the poverty of her dwelling, from the wretched look of the walls, from the worn-out chairs, from the ugliness of the curtains." or "She had no dresses no jewels no nothing. And she loved nothing but that; she felt made for that. She would so have liked to please, to be envied, to be charming, to be sought after." Theme sentences: "What would have happened if she had not lost the necklace? Who knows? Who knows? How life is strange and changeful! How little a thing is needed for us to be lost or saved!" Mathilde's attitude changes to a more focused and hardworking attitude. The irony is she had paid 40,000 francs for a replacement necklace and the original was only worth 500 francs.  She no longer longs for more but works for it. "Mine. Loisel now knew the horrible existence of the needy."

there are several different forms of presenting this; each has a very specific format. plays have a very simple format; teleplays, for television shows, or screenplays, for movies, have more complex and strict rules for formatting.

drama

the first of these to be written for the express purpose of being performed were created by the greeks. many of our modern terms derive from greek origins.

comedy

in the greek sense, a play that doesn't end in death. in modern usage, refers to a play that is humorous.

tragedy

in the greek sense, a play that ends with the death of at least one of the main characters. in modern usage, refers to a play that doesn't have a happy ending.