How should people assign value and purpose to life

Which analysis best explains the effect of adding the female character in the film adaptation of the scene? ger. and tom al a o she advances the plot. having her run through the jungle moves the events of the story along. she serves a practical function. using her bracelet to create the trap makes it more realistic to the audience she raises the stakes. giving the audience someone else to care about increases the suspense level, she makes the film prettier. having a beautiful female character is mostly decorative, creating a nice visual, tness, here, again

Multiple ! in this excerpt from act i, scene vi, of macbeth, duncan praises the atmosphere in the castle and the hospitality of his hostess. identify two reasons that these comments are ironic. duncan: this castle hath a pleasant seat: the air nimbly and sweetly recommends itself unto our gentle sense. . . (enter lady macbeth.) duncan: see, see, our honour'd hostess! — the love that follows us sometime is our trouble, which still we as love. herein i teach you how you shall bid god ild us for your pains, and us for your trouble. he will meet his death in the castle, which he considers a pleasant place. his praise for inverness and his hostess, lady macbeth, is deceptive. duncan secretly plans to give macbeth's title to donalbain. the hostess he praises is actually plotting his murder.

Now pick a section from chapter 1 of the call of the wild in which buck is interacting with another character. imagine that section narrated in first person point of view from one of the character's perspective, and rewrite it in the space below, attempting to use a similar writing style as the original author. then, in a second paragraph, consider this: are you able to explore some of the same ideas and themes when viewing the situation from the character's first person point of view, as compared to when it is narrated from london's third-person limited point of view? explain. your response should be be about 150 words in total.