When asked at a seminar at the university of virginia about the meaning of the title "a rose for emily," faulkner replied, "oh, it's simply the poor woman had no life at all. her father had kept her more or less locked up and then she had a lover who was about to quit her, she had to murder him. it was just a 'a rose for emily'--that's all." in another interview, asked the same question, he replied, "i pitied her and this was a salute, just as if you were to make a gesture, a salute, to anyone; to a woman you would hand a rose, as you would lift a cup of sake to a man." what do you make of faulkner's responses

Dreams are a state of unconsciousness that many of us have experienced. according to sigmund freud, dreams are the “royal road to the unconscious”. what does this mean? secondly, freud stated dreams consist of manifested or latent content. in your response, describe a memorable dream. in your description, identify whether you think your dream is manifested or latent and explain why.

The truck driver backed his vehicle between two buildings, he did not have an inch to spare on either side. fragment, run on, or complete sentence?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.