In this excerpt from hard times by charles dickens, which three sections include images of the horrors of industrialization?
it was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood it was a town of unnatural red and black like the painted face of a savage. it was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves for ever and ever, and never got uncoiled. it had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down, like the head of an elephant in a state of melancholy madness. … you saw nothing in coketown but what was severely workful. if the members of a religious persuasion built a chapel there - as the members of eighteen religious persuasions had done - they made it a pious warehouse of red brick, with sometimes (but this is only in highly ornamental examples) a bell in a birdcage on the top of it. the solitary exception was the new church; a stuccoed edifice with a square steeple over the door, terminating in four short pinnacles like florid wooden legs.

It had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down,

It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it;  

these three sections describe what happens to towns after industrialisation  

It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it;

For my Plato users:

It was a town of unnatural red and black like the painted face of a savage

Serpents of smoke trailed themselves for ever and ever and never got uncoiled

Black canal in it, and a river that ran purple with ill-smelling dye.

Hope this helps

answer: this is easy, i found "it"

i will repeat the question again, "find it."

here, i located it.

emerson essentially believes that traveling is overrated. he supports this perspective through an initial focus on "the idea" of places like italy, england, and egypt, and the fascination of "educated americans" with them. he argues that those places only took on the grand, majestic ideas that they represent because "they who made england, italy, or greece venerable in the imagination did so by sticking fast where they were, like an axis of the earth." yes, those places are grand, but only because they so clearly represent the places that they are. the art and culture of italy, england, and egypt is authentic, and therefore significant.

plz mark brainliest