1. deals with a serious subject exposition 2. often amuses an audience tragedy 3. the sequence of actions in a play theme 4. the part of a play that presents necessary introductory information monologue 5. the message or underlying meaning of a play protagonist 6. the main character in a play dialogue 7. the unique way in which an author expresses himself stage directions 8. the responsibility of the stage designer structure 9. the design or pattern of a play setting 10. used by the playwright to explain the way something is to be done style 11. a speech given by a character alone or on stage plot 12. the words spoken by the actors comedy

the support that the author, uses in the article facing our fears is a): a definition of the part of the brain called the amygdala.

he takes neuroscientist joseph ledoux's words by telling that by falling to distinguish between evolutionary old systems located in the amygdala and newer systems, centered in the prefrontal cortex, doctors have conflated non conscious threat circuits in the brain with circuits that underlie the conscious experience of fear. that, the author says, "leads ledoux to the jarring conclusion that the amygdala, a decades-old centerpiece of the brain's fear circuit, does not underlie the conscious feeling of fear".

despite this, the author points out in the article that that is a controversial notion and that evidence, in animal and humans, supports the idea that core emotions can exist outside of conscious awareness.

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