Which excerpt from “i know why the caged bird sings” best justifies the inference that bailey is a supportive brother to marguerite? another negro woman of her health and age would have been expected to carry the paper sacks home in one hand, but momma said, "sister flowers, i'll send bailey up to your house with these things." i wanted to gobble up the room entire and take it to bailey, who would me analyze and enjoy it. i was respected not as mrs. henderson’s grandchild or bailey’s sister but for just being marguerite johnson. momma and bailey were waiting inside the store. he said, “my, what did she give you? ” he had seen the books, but i held the paper sack with his cookies in my arms shielded by the poems.

send me the article because i do not know wich one it is

tessa’s film suffers when she refuses to deviate from her plan as obstacles arise.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran