He spoke so feelingly, and wept so freely, that the passengers believed his story, and pitied and tried to comfort him. then the ronin said to the boatmen: “we ought, by rights, to report this matter to the authorities; but as i am pressed for time, and the business might bring trouble on yourselves as well, perhaps we had better hush it up for the present; i will at once go on to kiyoto and tell my cousin’s patron, besides writing home about it. what think you, gentlemen? ” added he, turning to the other travellers. they, of course, were only too glad to avoid any hindrance to their onward journey, and all with one voice agreed to what the ronin had proposed; and so the matter was settled. when, at length, they reached the shore, they left the boat, and every man went his way; but the ronin, overjoyed in his heart, took the wandering priest’s luggage, and, putting it with his own, pursued his journey to kiyoto. on reaching the capital, the ronin changed his name from shume to tokubei, and, giving up his position as a samurai, turned merchant, and traded with the dead man’s money. fortune favouring his speculations, he began to amass great wealth, and lived at his ease, denying himself nothing; and in course of time he married a wife, who bore him a child. thus the days and months wore on, till one fine summer’s night, some three years after the priest’s death, tokubei stepped out on the veranda of his house to enjoy the cool air and the beauty of the moonlight. feeling dull and lonely, he began musing over all kinds of things, when on a sudden the deed of murder and theft, done so long ago, vividly recurred to his memory, and he thought to himself, “here am i, grown rich and fat on the money i wantonly stole. since then, all has gone well with me; yet, had i not been poor, i had never turned assassin nor thief. woe betide me! what a pity it was! ” and as he was revolving the matter in his mind, a feeling of remorse came over him, in spite of all he could do. while his conscience thus smote him, he suddenly, to his utter amazement, beheld the faint outline of a man standing near a fir-tree in the garden; on looking more attentively, he perceived that the man’s whole body was thin and worn, and the eyes sunken and dim; and in that poor ghost that was before him he recognised the very priest whom he had thrown into the sea at kuana. chilled with horror, he looked again, and saw that the priest was smiling in scorn. he would have fled into the house, but the ghost stretched forth its withered arm, and, clutching the back of his neck, scowled at him with a vindictive glare and a hideous ghastliness of mien so unspeakably awful that any ordinary man would have swooned with fear. but tokubei, tradesman though he was, had once been a soldier, and was not easily matched for daring; so he shook off the ghost, and, leaping into the room for his dirk, laid about him boldly enough; but, strike as he would, the spirit, fading into the air, eluded his blows, and suddenly reappeared only to vanish again; and from that time forth tokubei knew no rest, and was haunted night and day. consider the complex character tajima shume in “tajima.” how do tajima’s actions and interactions advance the plot and develop a theme in the story? in your response, describe a theme of the story and explain how the author uses characterization to develop the theme and advance the plot. use evidence from the text to support your response. your response should be at least three complete paragraphs.