Ok here the question read the passage below, and identify an example each of the five verb moods within it. humans have the ability to affect the environment in both positive and negative ways. when we do not use resources wisely, it can be unhealthy for humans. so it is important to treat the environment with care. chemicals that we use for farming and lawn care can have harmful effects on the environment, and there are ways to reduce these dangers. use fewer harmful chemicals, or use chemicals in a more responsible way. this should prevent hazards to human health. everyone needs water, so we must protect it by decreasing our use of toxic chemicals. conservationists recommend people start compost piles. compost is made by decayed food and other natural things that humans use. it is often used to plants grow without using chemicals or polluting the earth. as the human population increases, the amount of resources we use will also increase. however, many of the resources available on the earth are limited. this is why protecting the earth is important. will the human population learn to live sustainably? only time will tell.

the answer is:  

he is voicing feelings shared by all humans regardless of race.

in paul laurence dunbar's poem "we wear the mask," he replicates the words mask and we to emphasize how people in general -not just black americans- hide their true feelings. he suggests the masks cover people's faces and eyes, which are the main parts that display their emotions. he also thinks people's pain conceal behind those masks, so that they cannot see reality and nobody is able to see one another's sorrow.

were,have settled (b) mark brainliest : )

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serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.