Select the correct answer.
what is the rhyme pattern of william shakespeare’s sonnet 130?
my mistress' eyes are nothing like the sun;
coral is far more red than her lips' red;
if snow be white, why then her breasts are dun;
if hairs be wires, black wires grow on her head.
i have seen roses damask'd, red and white,
but no such roses see i in her cheeks;
and in some perfumes is there more delight
than in the breath that from my mistress reeks.
i love to hear her speak, yet well i know
that music hath a far more pleasing sound;
i grant i never saw a goddess go;
my mistress, when she walks, treads on the ground:
and yet, by heaven, i think my love as rare
as any she belied with false compare.
a.
aabb, ccdd, eeff, gg
b.
abba, abba, cddc, ee
c.
abab, abab, cde, cde
d.
abab, cdcd, efef, gg

Writers try to let us know what is central to their writing. when we notice words such as "meanwhile," "afterward," "before," or "previously," an author is letting us know the order in which events happen. a paragraph that mostly uses these key words is arranged in what structural form?

What else do you think experts can learn from studying the language of written work? what do you think is the value of studying the language of william shakespeare whose writing is over hundreds of years old?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification