What must playwrights consider about vocabulary and word placement when writing dialogue?
a. playwrights must make sure that the words in the dialogue aren't the same as the words of the stage direction.
b. because all readers of plays will practice expressive reading, playwrights must define all the words in the dialogue.
c. playwrights must consider the tone and inflection that an actor will use when speaking the stage directions in the script.
d. because written vocabulary is usually greater than spoken vocabulary, playwrights must make sure words aren't out of place when spoken out loud.

If an item does not contain a fragment, write correct. if the item contains a fragment, rewrite it to make it one or more complete sentences. 1.)their faces shining with delight at seeing the movie star. 2.)i wanted one thing. to take a long nap 3.)the committee was irrupted by this application. which we received just yesterday. 4.)i enjoy working with my hands. 5.)traffic lights flashing erratically as the cars jammed in the intersection, unsure whose turn it was to proceed. 6.)the apples cooked. with their sweet juices bubbling away. 7.)just as mr.chao said goodbye. 8.)classified ads filled the pages of the newspaper. 9.)a report to write and math to do before tomorrow. 10.)the silhouettes of the trees against the light of the moon.

In "the grateful stork," the old man is in a rush to get to town but stops to a trapped stork. what does this most likely tell the reader about the old man

In at least one hundred words, describe how the forest setting in “rip van winkle” contributes to the theme of enchantment.