Read this passage from "the city without us" by alan weisman:
in some places, the track emerges from the second stories
of warehouses it once serviced into elevated lanes of wild
crocuses, irises, evening primrose, asters, and queen
anne's lace. so many new yorkers, glancing down from
windows in chelsea's art district, were moved by the sight
of this untended, flowering green ribbon, prophetically and
swiftly laying claim to a dead slice of their city, that it was
dubbed the high line and officially designated a park.
which statement best describes how the author develops the tone in this
passage?