What is the main theme of the excerpt?
read this excerpt from guy de maupassant's "mother savage" about an old woman who takes in four prussian soldiers while her son is away fighting in the french army:
but the old woman thought always of her own son, so tall and thin, with his hooked nose and his brown eyes and his heavy mustache which made a roll of black hair upon his lip. she asked every day of each of the soldiers who were installed beside her hearth: "do you know where the french marching regiment, no. 23, was sent? my boy is in it."
they invariably answered, "no, we don't know, don't know a thing at all." and, understanding her pain and her uneasiness—they who had mothers, too, there at home—they rendered her a thousand little services. she loved them well, moreover, her four enemies, since the peasantry have no patriotic hatred; that belongs to the upper class alone. the humble, those who pay the most because they are poor and because every new burden crushes them down; those who are killed in masses, who make the true cannon's prey because they are so many; those, in fine, who suffer most cruelly the atrocious miseries of war because they are the feeblest and offer least resistance—they hardly understand at all those bellicose ardors, that excitable sense of honor or those pretended political combinations which in six months exhaust two nations, the conqueror with the conquered.

hypothermia is a medical emergency that occurs when your body loses heat faster then it can produce heat, causing a dangerously low body temperature.

normal body temperature is around 98.6 (37 c) hypothermia occurs as your body temperature falls below 95 (35 c)

hope i was some : 3

sorry it took so long i did more research about my answer so

hope i !

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran