Without any warning, the disease sweeps across the country like a traveling circus. people who were once blue, who slouched from carrying a bag of misery over one shoulder are now clinically cheerful. symptoms include kind gestures, a bouncy stride, a smile bigger than a slice of cantaloupe. you pray that you will be infected, hope a happy germ invades your body and multiplies, spreading merriment to all your major organs like door-to-door christmas carolers until the virus finally reaches your heart: that red house at the end of the block where your deepest wishes reside, where a dog howls behind a gate every time that sorrow pulls his hearse up the driveway. source: hernandez, david. “happiness epidemic.” casa poema. casa poem, n. d. web. 6 june 2011. which poetic technique is illustrated throughout the entire poem “happiness epidemic“?

dependent clause!

example: "before the food gets cold"

the passage can be best described as: "the british legislature extended an unwarranted jurisdiction".

we can say that because the text clearly states how the people of the colonies warned the british about their excessive desire to rule over them, without taking into consideration the difficulties their brothers had experienced in america: they struggled to establish the colonies, to adapt to new types of weather, fight with the natives, etc., and how they now see (or then saw) the only way out was to cut all ties with the british, since they ignored the people's petitions.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran