The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the babe in the manger. they invented the art of giving christmas presents. being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. and here i have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. but in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. of all who give and receive gifts, such as they are wisest. everywhere they are wisest. they are the magi.
directions: answer the following question in complete sentences. your answer should include details from the text.
how does o. henry shift from one point of view to another?

Which is included in the radio broadcast to capture the listener's attention that the original text of the story is not able to include

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects

Similarities between speaker’s delivery and active listening?