Read the following excerpt from the article "vision, voice and the power of creation: an author speaks out," by t. a. barron, and answer the question that follows:
another way to tap the power of imagination is through place. my own background as a writer is rooted in nature, having grown up reading henry david thoreau, rachel carson, and john muir long before i ever dipped into madeleine l'engle, lloyd alexander, ursula le guin, e. b. white, or j. r.r. tolkien. my early writings were really nature journals; at nine, i wrote a complete biography—of a tree. (it was a once-majestic chestnut tree not far from my home.) so it should come as no surprise that i view place as much more than just a setting for a story. it is, in truth, another form of character, no less alive and complex, mysterious and contradictory, than the richest character in human form.
what does this paragraph imply about the way the author would treat the setting in his work?
the author does not think the setting or place of a story is important.
the author thinks the setting or place is the most important part of a story.
the author does not think the other parts of a story are important.
the author thinks the setting can influence the story as much as characters can.
12 points.

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boccaccio employs the voice of his narrator dioneo to represent his ideas on the tension between masculinity and femininity.  while dioneo excites the members of the brigata and recognizes women for their unique skills and independent ideas, he concludes the decameron with a story reminiscent of the society from which these young aristocrats escaped, revealing misogynistic overtones.  dioneo boccaccio is able to explore the gender disparity which is inherent in 14th century florentine society.

at nineteen years old, nicole c. kear's biggest concern is choosing a major--until she walks into a doctor's office in midtown manhattan and gets a life-changing diagnosis. she is going blind, courtesy of an eye disease called retinitis pigmentosa, and has only a decade or so before lights out. instead of making preparations as the doctor suggests, kear decides to carpe diem and make the most of the vision she has left. she joins circus school, tears through boyfriends, travels the world, and through all these hi-jinks, she keeps her vision loss a secret.

when kear becomes a mother, just a few years shy of her vision's expiration date, she amends her carpe diem strategy, giving up recklessness in order to relish every moment with her kids. her secret, though, is harder to surrender - and as her vision deteriorates, harder to keep hidden. as her world grows blurred, one thing becomes clear: no matter how hard she fights, she won't win the battle against blindness. but if she comes clean with her secret, and comes to terms with the loss, she can still win her happy ending

googles summry you can summarize this in your own words