Part a: which of the following best identifies a central idea of the text?
a.
while stories are usually based on fiction, fears are based on facts and allow us to adequately prepare for threatening situations.
b.
fears operate through the imagination much like storytelling does, and we can learn from our fears just as we can learn from stories.
c.
because the human mind is naturally attracted to dramatic narratives, the most elaborate fears usually draw the most attention.
d.
basing decisions off of a fear or a story can have disastrous consequences for ourselves and others, as neither are based on fact.

[he] let his gaze wander to the swirling water of the stream racing madly beneath his feet. a piece of dancing driftwood caught his attention and his eyes followed it down the current. how slowly it appeared to move! what a sluggish stream! what contrasting words are used to describe the stream in this passage?

Julius caesar. [brutus.] with this, she fell distraught, and, her attendants absent, swallowed fire. cassius. and died so? brutus. even so. cassius. o ye immortal gods! [enter lucius, with wine and taper] brutus. speak no more of her. give me a bowl of wine. in this i bury all unkindness, cassius. cassius. my heart is thirsty for that noble pledge. fill, lucius, till the wine o'erswell the cup; i cannot drink too much of brutus' love. [exit lucius. enter titinius, with messala] brutus. come in, titinius; welcome, good messala. now sit we close about this taper here, and call in question our necessities. cassius. portia, art thou gone? brutus. no more, i pray you. what moral dilemma does brutus confront in this excerpt? brutus lets go of his anger toward cassius and forgives him. brutus decides that he will not mourn portia and will stay loyal to cassius. brutus decides that he is too angry at cassius to remain friends with him. brutus questions whether cassius's life should be ended.

In a midsummer night dream, the mention of is an allusion to earlier english poetry