Ation iii
from "the raven" by edgar allan poe once upon a midnight dreary, while i pondered, weak and weary, over many a quaint
and curious volume of forgotten lore- while i nodded, nearly napping, suddenly there came a tapping, as of some one gently
rapping, rapping at my chamber door. "'tis some visitor," i muttered, "tapping at my chamber door-only this, and nothing more."
ah, distinctly i remember it was in the bleak december; and each separate dying ember wrought its ghost upon the floor. eagerly i
wished the morrow; -vainly i had sought to borrow from my books surcease of sorrow-sorrow for the lost lenore- for the rare
and radiant maiden whom the angels name lenore- nameless here for evermore. and the silken, sad, uncertain rustling of each
purple curtain thrilled me--filled me with fantastic terrors never felt before; so that now, to still the beating of my heart, i stood
repeating "tis some visitor entreating entrance at my chamber door- some late visitor entreating entrance at my chamber door; -
this it is and nothing more." presently my soul grew stronger; hesitating then no longer, "sir," said i, "or madam, truly your
forgiveness i implore; but the fact is i was napping, and so gently you came rapping, and so faintly you came tapping, tapping at
my chamber door, that i scarce was sure i heard you"-here i opened wide the door; - darkness there and nothing more.
which words contribute to the dark, mysterious mood?

Tell whomever you meet about this new opportunity. the bolded words are what kind of clause?

Me i need a correct answer how did mlk jr.’s “voice” in his speeches shape the civil rights movement?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification