Which of the following pieces of textual evidence define this literary work as a myth?
a
his admirers—and make no mistake, all who saw him were his admirers—reflected his beauty back to him in their captivated stares, their blushing cheeks.
b
one day, in the woods where narcissus sometimes hunted, a fountain sprang up, and so fresh were its waters, so pure and untouched, that the pool it made was as still and shining as a mirror.
c
he was a beautiful young man, this narcissus of thespiai, son of the river god kephisos and the fountain-nymph liriope, and none who looked upon him could deny it.
d
no other beauty upon the earth could rival this, and so here narcissus stayed, gazing with irrepressible yearning after his own image.