Read the passage from a room of one’s own. there was an enormous body of masculine opinion to the effect that nothing could be expected of women intellectually. even if her father did not read out loud these opinions, any girl could read them for herself; and the reading, even in the nineteenth century, must have lowered her vitality, and told profoundly upon her work. there would always have been that assertion—you cannot do this, you are incapable of doing that—to protest against, to overcome. probably for a novelist this germ is no longer of much effect; for there have been women novelists of merit. but for painters it must still have some sting in it; and for musicians, i imagine, is even now active and poisonous in the extreme. the woman composer stands where the actress stood in the time of shakespeare. which statement best explains how the structure of this text supports woolf’s purpose? the compare-contrast structure the reader understand how women artists in a variety of disciplines have been affected by cultural norms. the cause-effect structure supports the point of view that men, particularly fathers, are often the source of young women’s oppression. the problem-solution structure supports the point of view that conditions for women artists in most disciplines have improved dramatically. the chronological structure illustrates the pressures discouraging women artists from pursuing their passions from youth to adulthood.