3themes you think harper lee was trying to get across to the reader in her book to kill a mockingbird.

a. the image doesn't give relevant information.

explanation:

what does a guy holding a paper have to do with bees and their natural instinct when moving and protecting their hives?

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in the secret life of walter mitty, the main character leads a dull life, or so he thinks.in all his daydreams he plays the role of some hero or a man who is unbelievably resourceful.whether a pilot, a surgeon   or even a criminal, he is better, so much better than all the rest of the characters in his delusions.he comes up with ideas nobody else could have conceived .when he comes back to reality, whatever he has to deal with seems silly, boring without any motivation to deliver.

in a sound of thunder a hunter,eckles, wants to use a time machine to go back in time to catch a tyrannosaurus rex. by then, 2055 elections were go held and a   new hitler was beaten by a far better candidate, keith.once he and other men have traveled,   he gets cold feet. he in   some way has known   this is not a good idea.he hears this sound , too strong for him to put up with . hopeless, he abandons the project making a mistake - another one as the first is to travel in time-that causes a butterfly effect when he comes back. in the end , changes reality for worse; the anti human anti christ deutscher,   is the president.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran