What does byrd say about mckinley's character in paragraphs 30 and 43?

33, now the stream of air pouring down the pass roughened perceptibly. the great wing shivered and teetered as it balanced itself against the changing pressures. the wind from the left flowed against fisher's steep flanks, and the constant, hammering bumps made footing uncertain in the plane. but mckinley steadily trained his 50-pound camera on the mountains to the left. the uncertainties of load and ceiling were not his concern. his only concern was photographs--photographs over which students and geographers pore in the calm quiet of their studies.

42, mckinley shoved a second bag through the trapdoor, and this time we saw it hit the glacier, and scatter in a soundless explosion. two hundred and fifty pounds of food--enough to feed four men for a month--lay strewn on the barren ice.

Now pick a section from chapter 1 of the call of the wild in which buck is interacting with another character. imagine that section narrated in first person point of view from one of the character's perspective, and rewrite it in the space below, attempting to use a similar writing style as the original author. then, in a second paragraph, consider this: are you able to explore some of the same ideas and themes when viewing the situation from the character's first person point of view, as compared to when it is narrated from london's third-person limited point of view? explain. your response should be be about 150 words in total.

The majestic castle, surrounded by green foliage, stood proudly with turrets pointing skyward. which image best shows a visualization of this sentence?

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.