19 "what is the alley like? "

20 "there are two lines of old yew hedge, twelve feet high and impenetrable. the walk in the centre is about eight feet across."

21 "is there anything between the hedges and the walk? " "yes, there is a strip of grass about six feet broad on either side."

22 "i understand that the yew hedge is penetrated at one point by a gate? "

23 "yes, the wicket-gate which leads on to the moor."

24 "is there any other opening? "

24 "none."

25 "so that to reach the yew alley one either has to come down it from the house or else to enter it by the moor-gate? "

26 "there is an exit through a summer-house at the far end."

27 "had sir charles reached this? "

28 "no; he lay about fifty yards from it."

29 "now, tell me, dr. mortimer--and this is important--the marks which you saw were on the path and not on the grass? "

30 "no marks could show on the grass."

the dialogue between the two characters shows their?

a) confusion.
b) cooperation.
c) excitement.
d) hostility.

Announcer two: ladies and gentlemen, following on the news given in our bulletin a moment ago, the government meteorological bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occurring on the planet mars. due to the unusual nature of this occurrence, we have arranged an interview with noted astronomer professor pierson, who will give us his views on the event. in a few moments we will take you to the princeton observatory at princeton, new jersey. we return you until then to the music of ramón raquello and his orchestra. the passage is from the transcript of the radio adaptation of the war of the worlds by h. g. wells. instead of including expert interviews, h. g. wells uses a narrator to tell about an alien invasion that occurred a few years earlier. by including expert interviews, how does the radio broadcast change the story most effectively? o.a. it puts the story in the past tense, increasing its personal tone. o o b. it makes the broadcast sound more like a fictional story. o o c. it makes the broadcast sound like a news report. o d. it makes the story sound less believable by changing who presents the story's details.