Pls ! im so stuck
which three statements from the essay illustrate how morris feels about things?
choose one answer from each group. type the letter only for each answer in the correct blank.
type a, b, or c for blank 1.
a. empty! yes, heaven
b. it sounds wasteful, but i don't believe it really is
c. i have not their courage, and i win no such freedom.
type d, e, or f for blank 2.
d. i cherish an ideal, remotely typified by that empty little house beside the sea.
e. one wonders sometimes how they got their power
f. even in this refuge the enemy would have pursued me, found me out, encompassed me.
type g, h, or i for blank 3.
g. while the spell was still unbroken, i came away.
h. yet never do i wholly give up the struggle.
1. the old monks knew all this very well.
answer for blank 1:

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran