Part b: which quote from the text best supports the answer to part a? a “people have many different strategies for dealing with stressful situations — some , and some not so .” ( paragraph 1) b “when humor is overused as a coping mechanism, it can lead to denial or avoidance” ( paragraph 7) c “sigmund freud, the famous psychoanalyst who was the first person to study the significance of dreams, is credited with popularizing the idea of denial.” ( paragraph 9) d “a person who has dissociative behavior may even invent a new imaginary world where they do not have to face an uncomfortable feeling or memory.” ( paragraph 11)

monkey wonky bronchi honky zombie swampy

plagiarism can get you expelled from your course, and college, or university. plagiarism can result in legal action like fines and penalties etc.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran