Read the excerpt from "Shakespeare's Sister and answer the question

Next I think that you may object that in all this I have made too much of the importance of material things.
Even allowing a generous margin for symbolism, that five hundred a year stands for the power to
contemplate, that a lock on the door means the power to think for oneself, still you may say that the mind
should rise above such things; and that great poets have often been poor men. Let me then quote to you
the words of your own Professor of Literature, who knows better than I do what goes to the making of a
poet. Sir Arthur Quiller-Coach writes: "The poor poet has not in these days, nor has had for two hundred
years, a dog's chance...a poor child in England has little more hope than had the son of an Athenian slave
to be emancipated into that intellectual freedom of which great writings are born." That is it. Intellectual
freedom depends upon material things. Poetry depends upon intellectual freedom.

In this excerpt, Woolf supports her argument by and _.

Select all that apply.

anticipating an objection her audience might have

developing the idea of "a lock on the door" into an extended metaphor

exposing a romantic view of poverty as "great poets have often been poor"

making a counterargument

What does water came out from a rock mean in this poem and why is it compared to the radio waltz? time was away and somewhere else. the waiter did not come, the clock forgot them and the radio waltz came out like water from a rock: time was away and somewhere else.

What is a career pathway for human services?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.