Read this excerpt from beowulf, in which unferth, one of hrothgar's warriors, addresses beowulf.

art thou that beowulf with breca did struggle,
on the wide sea-currents at swimming contended,
where to humor your pride the ocean ye tried,
’twas mere folly that actuated you both to risk your lives on the ocean.
from vainest vaunting adventured your bodies
in care of the waters?

in the water’s possession,
ye toiled for a seven-night; he at swimming outdid thee,
in strength excelled thee.

the pledge that he made thee
breca outdid you entirely.
the son of beanstan hath soothly accomplished.
then i ween thou wilt find thee less fortunate issue,
much more will grendel outdo you, if you vie with him in prowess.

which of these words best describes unferth's tone?

a. vehement
b. insulting
c. ironic
d. casual

11-32. the main character in the parable, the forgiving father, whose character remains constant throughout the story, is a picture of god. in telling the story, jesus identifies himself with god in his loving attitude to the lost. the younger son symbolizes the lost (the tax collectors and sinners of that day, luke 15: 1), and the elder brother represents the self-righteous (the pharisees and teachers of the law of that day, luke 15: 2). the major theme of this parable seems not to be so much the conversion of the sinner, as in the previous two parables of luke 15, but rather the restoration of a believer into fellowship with the father. in the first two parables, the owner went out to look for what was lost (luke 15: 1-10), whereas in this story the father waits and watches eagerly for his son's return. we see a progression through the three parables from the relationship of one in a hundred (luke 15: 1-7), to one in ten (luke 15: 8-10), to one in one (luke 15: 11-32), demonstrating god’s love for each individual and his personal attentiveness towards all humanity. we see in this story the graciousness of the father overshadowing the sinfulness of the son, as it is the memory of the father’s goodness that brings the prodigal son to repentance (romans 2: 4).

1)they use panels

2)they include images and words.

3)they contain gutters.